Dum Dum Girls photo

Dum Dum Girls

Noise pop band Dum Dum Girls will hit the stage at The Depot October 17th. Go check them out with guests Ex Cops!

Date: 2014-10-17
Time: 9:00 PM
Ticket Price: $16

Special Information: On Sale: August 8 @ 10am. Must be 21+ to attend.

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About This Person/Group

End Of Daze had for me signaled exactly that; an end to a part of my life that was confused, difficult, disastrous, and at times, redemptive. It was a marked comment to myself, for future reference, that what will be, will be, and that there is always exciting work to be done ahead. It is never that easy, though, and so was ushered in a new version of confusion, et al.

In the summer of 2012, between tours supporting End Of Daze, I locked out the world and sat down in my apartment to write a new record — clear view of the New York City sky through iron bars like a promise. Like all compulsive minds, I was waiting with bated breath (“and whispering humbleness”) to let the muse loose.

I’ve always lived an introspective life, but it is these rare moments of actively stepping outside my head, to create things tangible to others, that I find truly transcendent. Performing live offers the same rush to me, but it’s an even more elusive, haunting ghost. I was reminded of that letter Nick Cave wrote to MTV, in response to being nominated for an award. Apart from his refusal to be competitively evaluated, it was his gentle worship and protection of his own creative process, his crowned Inspiration, which resonated with me. (Do yourself a favor and read it here if you’ve never: http://www.nick-cave.com/mtv/mtv.shtml.)

I had collected various songs and half-songs over the previous months, vaguely regarding them as future releases, but had the nagging feeling they were to be tossed out on the hunt for the next sound, the next record, which was at that point almost palpable.

And so I spent the next week in a sparkling haze, seven stories closer to Heaven, and when I emerged from the frenzy to go back on tour, indeed ten new songs came with. They were bound together, not just by an overall sonic palette and new guitar pedal, but by time, intention, and fervor.

Do you hear Suede? Siouxie? Cold-wave Patti? Madonna? Cure? Velvet and Paisley Undergrounds? Stone Roses? Cuz I did.

A month later I ran away to Hollywood, and again locked myself up, and two more songs were born from drunken loneliness in room at the Chateau Marmont — points if you can discern which ones.

Still later, in November 2012, I returned to Hollywood to record among the lingering Pet Sounds at East West Studios, in pursuit of a bigger, darker, more urgent sound. Sitting in the room with my favorite team of regulars (Richard Gottehrer and Sune Rose Wagner producing, Alonzo Vargas engineering), it was easy to add some flesh to my song skeletons.

Unfortunately, karma take it or leave it, I had to confront the reality that my voice was destroyed; that the previous year of touring had reduced my once infallible instrument to a pale spectre of its former self. I was broken and when I left California, it was with the heavy burden of an unfinished album. It is a much longer and more boring story, but in short, it was devastating and demanded a severe detour from the future I’d anticipated.

Truly one of those disguised blessings though — the extra time was a gift. What initially felt like a retreat became a reawakening. These songs weren’t done at all! And so I worshipped at the tall pile of books I’d bought in Los Angeles, on topics and imagery I’d been consumed by and words that had resonated so deeply with me they felt like artistic collaborators: Rainer Maria Rilke, Anais Nin, Arthur Rimbaud, Paul Verlaine, Charles Baudelaire, Sylvia Plath; the punk poet singers Patti Smith and Lou Reed (who, like many I consider to be my spiritual parents); and finally, an admittedly unhealthy obsession with the Surrealists’ manifesto of desire.

Here it was spelled out for me: Desire as muse; Life as experiment; a miracle for every failure and vice-versa. I put pen to paper and I wrote, and then I sang. I sang into my own private microphone, in my tiny bedroom studio, with no one save my make-believe coconspirators to hear me, and no one to weight me with the looming pressure of inability. I was a woman possessed and my possession enabled me.

I write this now, many months later, on the up. I have served the songs and the songs have served me. It is never pretentious to feel and create. So much of my life has been defined, aided, and even saved by music. Here is my best attempt at joining the rock’n’roll ranks, of chasing pop into the dark, and I am as ever, humbled that you listen.

XXDD

Venue Details

Address
13 North 400 West
Salt Lake City, UT 84101

Directions
Driving from North on I15
Take 400 South off ramp (heading East)
Turn left on 400 West (heading North)
The Depot main entrance is on the corner of South Temple and 400 West on the West side of the road under the marquee

Driving from South on I15
Take 600 South off ramp (heading East)
Turn left on 400 West (heading North)
The Depot main entrance is on the corner of South Temple and 400 West on the West side of the road under the marquee

Driving from West on I80
Take 600 South off ramp (heading East)
Turn left on 400 West (heading North)
The Depot main entrance is on the corner of South Temple and 400 West on the West side of the road under the marquee

Driving from East on I80
Take I15 Northbound
Take 600 South off ramp (heading East)
Turn left on 400 West (heading North)
The Depot main entrance is on the corner of South Temple and 400 West on the West side of the road under the marquee

Using TRAX
TRAX is also available to and from all events. Exit TRAX at the Arena station on South Temple across from EnergySolutions Arena.

Parking
Pay lot across 400 West, Gateway paid parking (we do not validate), street parking

Public Transportation
TRAX, UTA Bus, Taxi service

Box Office Numbers
801.456.2800 or 801.355.5522 if box office does not pickup

Box Office Hours
5pm – 10pm show nights (excluding private events and club nights), Friday’s from 2pm – 6pm (excluding holidays).

Types of Payment Accepted
American Express, Visa, Discover, MasterCard, Cash

Will Call
Must have a valid photo ID to pick up your will call tickets

General Rules
The Depot is 21+ unless otherwise stated
Must have a valid photo ID to enter the building

For ALL AGES shows,  
INFORMATION REGARDING MINORS:
Patrons 18 years of age and younger are welcome to our ALL AGES shows when accompanied by a parent or guardian that is over the age of 18.  Age information will specified for each show.  Additionally, because of Utah’s curfew law any ALL AGES show has to be over by 11 o’clock P.M. (unless otherwise stated).