Patty Griffin photo

Patty Griffin

Enjoy an evening with folk singer/songwriter Patty Griffin and guest John Fullbright October 20th at The Depot.

Date: 2014-10-20
Time: 8:00 PM
Ticket Price: $21 Adv/$25 Day Of

Special Information: On Sale: July 18 @ 10am. Must be 21+ to attend.

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About This Person/Group

AMERICAN KID

American Kid, Patty Griffin’s seventh album, is her first album of mainly new material since Children Running Through in 2007. In between, she made the Grammy Award-winning Downtown Church (2010), her version of classic gospel (though it featured three original songs). She also became a member of Band of Joy, the group in which leader Robert Plant and his cohorts meld British and American folk, rock and spiritual music.

American Kid, much of which Griffin says “was written to honor my father,” returns to typical Patty Griffin territory, which is to say that it features a group of remarkably powerful, personal and unpredictable songs arranged and performed in a style that doesn’t entirely repeat anything she’s done on her previous albums while drawing on all of them. Yet Griffin’s catalog is among the most unified in modern popular music, because her singing is as unmistakable and inimitable as her songwriting.

Griffin has lived in Austin and recorded either in Austin and Nashville throughout her career (she released her first album, Living with Ghosts, in 1996) but American Kid is her first album whose music sounds stylistically rooted in Americana. “It was recorded in Memphis,” Griffin says, and adds with a quick laugh, “Part of the reason was the chance to get away from what I’d been doing.” The key to that was working with North Mississippi Allstars guitarist Luther Dickinson and drummer Cody Dickinson. The Dickinsons had played acoustic sets opening for Band of Joy and Luther gave Patty lessons on mandolin. “With the Dickinsons, you’re constantly seeing people who work to get away from what they’re used to.”

Craig Ross, responsible for the production of an earlier Griffin collection (2004’s Impossible Dream), co-produced American Kid with Griffin. Ross is perhaps best known for his guitar work with Lisa Germano as well as his own critically acclaimed solo albums. Griffin said she chose Ross because of his ability, as she describes it, “to get the ghost out of the machine.” Ross plays — usually guitar, but also bass, mandolin, baritone, omnichord and organ — on all but two tracks on the album (the cover of Lefty Frizell’s “Mom and Dad’s Waltz” and the showstopper “Irish Boy,” which is just Griffin and her own piano playing).

The other prominent musical contributor, appearing on eight of the 12 tracks, is guitarist Doug Lancio, who has played on just about every Patty Griffin recording since Flaming Red, and produced some of them. Robert Plant sings on “Ohio,” “Faithful Son” and “Highway Song.”

The album’s lyrical focal point is Patty’s father, a high school science teacher who fought in World War II, lost his father young and his mother almost immediately after he returned from the war, lived for a time in a Trappist monastery, raised seven children, bought Patty Sgt. Pepper’s for her birthday and changed her life. Patty’s parents sing a duet on “The Impossible Dream” at the end of the track “Top of the World” from Impossible Dream. (They are credited as “Mr. and Mrs. Griffin,” no first names.)

Mr. Griffin’s impending death sparked the songs. But these aren’t songs about death, even though American Kid features ample reference to mortality. “Go Wherever You Want to Go,” which opens the album, was written “as I was getting ready to lose him. So it was really to honor him. Then a whole other story opened up—my father’s story started telling me a bigger story,” says Griffin, referring in particular to “Irish Boy,” her voice and piano solo number that’s the record’s emotional apogee, written about her dad in his glory, a soldier just returned to home and everything and everyone he loves.

“Irish Boy” proved particularly difficult to record. Griffin recorded several versions without quite capturing what she was feeling. Given that the lyric is not merely about her father, but written from his own perspective as a young man, that’s not surprising. But after every other track on American Kid was finished, she decided to give it a last try. That’s where she found this version, which ranges through the emotional turmoil of secrets told and untold, to find, in its almost but not quite matter of fact final notes, some peace. It is one of the outstanding vocals of her career. And not until a few hours later, Craig Ross reminded her, did Griffin realize that she’d finally found the song’s secret on St. Patrick’s Day .

The cover of Lefty Frizzell’s “Mom and Dad’s Waltz” presents a nakedly sentimental loving youngest child, not Griffin’s usual mode by any means. It’s a rendition at least as moving as Frizzell’s original 1951 hit, and the repetition of the song’s last words (“I love them so”) is a startling big moment on an album full of impressive singing, even by Griffin’s high standard.

But American Kid is thematic, not a concept album. “Faithful Son” might or might not be a picture of Patty’s dad, but not the harrowing “Wild Old Dog,” which considers that God might be a bull terrier abandoned in a field beside the interstate; “That Kind of Lonely,” which Griffin describes as occurring at a “kind of warmed over party” where the singer “stops being a being kid and finally decides to grow up”; and “Not a Bad Man,” the most powerful antiwar song she’s written, is about a soldier whose disaster is unmistakably the product of a war far more contemporary than her father’s.

There’s not a predictable moment on American Kid, a point reemphasized by the finale, “Gonna Miss You When You’re Gone.” It’s a combination of words and music, torch singing and bittersweet insight, a farewell to the father she loved and, perhaps, that world that’s been outgrown along the way. It’s a devastating combination of lyricism and intellect, passion and technique, a tightly controlled account of a broken heart. It’s not that it outstrips the other songs and performances Griffin’s created for American Kid. It’s that it fulfills them.

“A committed life, that’s what I would like to have,” says Patty Griffin, comparing her own to that of James Baldwin, her favorite writer. Even if you share that affection, it’s a surprising thought, simply because every moment on American Kid sounds like she’s already there. 

Venue Details

Address
13 North 400 West
Salt Lake City, UT 84101

Directions
Driving from North on I15
Take 400 South off ramp (heading East)
Turn left on 400 West (heading North)
The Depot main entrance is on the corner of South Temple and 400 West on the West side of the road under the marquee

Driving from South on I15
Take 600 South off ramp (heading East)
Turn left on 400 West (heading North)
The Depot main entrance is on the corner of South Temple and 400 West on the West side of the road under the marquee

Driving from West on I80
Take 600 South off ramp (heading East)
Turn left on 400 West (heading North)
The Depot main entrance is on the corner of South Temple and 400 West on the West side of the road under the marquee

Driving from East on I80
Take I15 Northbound
Take 600 South off ramp (heading East)
Turn left on 400 West (heading North)
The Depot main entrance is on the corner of South Temple and 400 West on the West side of the road under the marquee

Using TRAX
TRAX is also available to and from all events. Exit TRAX at the Arena station on South Temple across from EnergySolutions Arena.

Parking
Pay lot across 400 West, Gateway paid parking (we do not validate), street parking

Public Transportation
TRAX, UTA Bus, Taxi service

Box Office Numbers
801.456.2800 or 801.355.5522 if box office does not pickup

Box Office Hours
5pm – 10pm show nights (excluding private events and club nights), Friday’s from 2pm – 6pm (excluding holidays).

Types of Payment Accepted
American Express, Visa, Discover, MasterCard, Cash

Will Call
Must have a valid photo ID to pick up your will call tickets

General Rules
The Depot is 21+ unless otherwise stated
Must have a valid photo ID to enter the building

For ALL AGES shows,  
INFORMATION REGARDING MINORS:
Patrons 18 years of age and younger are welcome to our ALL AGES shows when accompanied by a parent or guardian that is over the age of 18.  Age information will specified for each show.  Additionally, because of Utah’s curfew law any ALL AGES show has to be over by 11 o’clock P.M. (unless otherwise stated).